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	<title>Peril magazine &#187; Edition 3 &#8211; Rebel</title>
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		<title>Editorial</title>
		<link>http://www.peril.com.au/edition3/editorial-3</link>
		<comments>http://www.peril.com.au/edition3/editorial-3#comments</comments>
		<pubDate>Sat, 16 Jun 2007 13:15:09 +0000</pubDate>
		<dc:creator>Hoa Pham</dc:creator>
				<category><![CDATA[Edition 3 - Rebel]]></category>
		<category><![CDATA[Editorial]]></category>

		<guid isPermaLink="false">http://wp.asianaustralian.org/?p=127</guid>
		<description><![CDATA[Welcome to Peril number 3 &#8211; themed &#8220;Rebel&#8221;. We have a smorgasbord of articles, pieces and poems for you, starting with an article by Scott Brook about Vietnamese-Australian eighties fashion with its rebellious overtones.

&#8220;Yumi Umiumare&#8221; as ‘cross-cultural’ rebel in ‘DasSHOKU Hora!!’ describes a Japanese-Australian cross cultural artist and her influences. Lisa Pham writes about her mother&#8217;s quiet rebellion that saw them be admitted into Australia. We have poetry by Christopher Kelen, S.K. Kelen and the rebel Chinese-Australian poet, Ouyang Yu. And finally, an excerpt from my play, &#8220;Silence&#8221;, where a ...]]></description>
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		<title>Yumi Umiumare</title>
		<link>http://www.peril.com.au/edition3/yumi-umiumare</link>
		<comments>http://www.peril.com.au/edition3/yumi-umiumare#comments</comments>
		<pubDate>Sat, 16 Jun 2007 13:14:00 +0000</pubDate>
		<dc:creator>Georgina Boucher</dc:creator>
				<category><![CDATA[Edition 3 - Rebel]]></category>
		<category><![CDATA[Essay]]></category>

		<guid isPermaLink="false">http://wp.asianaustralian.org/?p=35</guid>
		<description><![CDATA[Yumi Umiumare as ‘cross-cultural’ rebel in ‘DasSHOKU Hora!!’
Japanese-born performer Yumi Umiumare’s playful investigations of cross-cultural femininity strategically utilise in-between subjectivities to fracture cultured and gendered truths. In 1995 Umiumare devised a performance in Melbourne named Tokyo DasShoku girl.

DasShoku is taken from the Japanese term DasShoku suru, meaning to bleach, to strip off colour. The show was the beginning of a unique performance project: to explore the notion of bleaching cultural identity, which Umiumare explains as stripping away clichéd Western perceptions of Japanese culture, in particular those Umiumare herself had become ...]]></description>
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		<title>After the eighties</title>
		<link>http://www.peril.com.au/edition3/after-the-eighties</link>
		<comments>http://www.peril.com.au/edition3/after-the-eighties#comments</comments>
		<pubDate>Sat, 16 Jun 2007 13:13:20 +0000</pubDate>
		<dc:creator>Scott Brook</dc:creator>
				<category><![CDATA[Edition 3 - Rebel]]></category>
		<category><![CDATA[Essay]]></category>

		<guid isPermaLink="false">http://wp.asianaustralian.org/?p=131</guid>
		<description><![CDATA[The documentary photography of Thuy Vy
Dan choi: the Fashion Show
It’s the last event of the 2005 Big West Festival, a community-based arts festival in Melbourne’s western suburbs. We’re all sitting around on plastic chairs beside the catwalk, waiting for the show.

Cuong Nguyen is at the microphone reading his famous ‘Footscray Punks’ story.  The spoken word performance hails the mixed crowd of mostly Vietnamese and White Australians as locals and as ‘westies’.

Footscray, the west. Other side of the river, where the freaks have no shame. The culture: Footscray Culture. Which cannot ...]]></description>
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		<title>Silence</title>
		<link>http://www.peril.com.au/edition3/silence</link>
		<comments>http://www.peril.com.au/edition3/silence#comments</comments>
		<pubDate>Sat, 16 Jun 2007 13:12:35 +0000</pubDate>
		<dc:creator>Hoa Pham</dc:creator>
				<category><![CDATA[Edition 3 - Rebel]]></category>
		<category><![CDATA[Plays]]></category>

		<guid isPermaLink="false">http://wp.asianaustralian.org/?p=138</guid>
		<description><![CDATA[&#8220;Silence&#8221; is a play about three generations of Vietnamese women haunted by the spectre of one man. Their silences hold the secrets they hold from each other and the wider community. Based on true stories from Vietnamese women the play will be performed by Australian Vietnamese Youth Media in 2008 in Melbourne.

Characters
BA- grandmother
MA- mother, her daughter
DAO- grand daughter about 18
HUNGRY GHOSTS-  chorus
Hungry ghosts are spirits of the dead that have not gone to nirvana because no one is praying for them, or they have died in violent ways and their ...]]></description>
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		<title>An Anecdote</title>
		<link>http://www.peril.com.au/edition3/an-anecdote</link>
		<comments>http://www.peril.com.au/edition3/an-anecdote#comments</comments>
		<pubDate>Sat, 16 Jun 2007 13:10:49 +0000</pubDate>
		<dc:creator>My Pham</dc:creator>
				<category><![CDATA[Edition 3 - Rebel]]></category>

		<guid isPermaLink="false">http://wp.asianaustralian.org/?p=140</guid>
		<description><![CDATA[It took me the most part of my childhood to understand how my mum could be Cambodian, but born in Vietnam, at the same time. She was born in Cambodia then moved to Vietnam. During the Vietnam War she worked as a telephone operator for the American government. Needless to say when the Communists won, they didn’t like my mum very much. They put my family in one of the re-education camps.

My mum resolved to escape Vietnam &#8211; they had to go to Thailand and leave the continent from there. ...]]></description>
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		<title>Solitude</title>
		<link>http://www.peril.com.au/edition3/solitude</link>
		<comments>http://www.peril.com.au/edition3/solitude#comments</comments>
		<pubDate>Sat, 16 Jun 2007 13:09:33 +0000</pubDate>
		<dc:creator>Ouyang Yu</dc:creator>
				<category><![CDATA[Edition 3 - Rebel]]></category>

		<guid isPermaLink="false">http://wp.asianaustralian.org/?p=143</guid>
		<description><![CDATA[you are supposed to be preparing your translation
class. but, here you are at it again. driving at the philosophy of it
the senselessness of it that somehow makes sense. ‘did you write about it?’
ups and downs, ups and ups’. ‘right now i’m getting beyond the point
explicity’ ‘which doesn’t mean that it’s not good’. ‘coming to terms
with it takes me 15 years, this loneliness, this solitude, in which you think
you live a death, in which you are constantly hankering after some sort of contact
of recognition, of voices at the ears’. ‘in the ...]]></description>
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		<title>Since the rebellion</title>
		<link>http://www.peril.com.au/edition3/since-the-rebellion</link>
		<comments>http://www.peril.com.au/edition3/since-the-rebellion#comments</comments>
		<pubDate>Sat, 16 Jun 2007 13:08:53 +0000</pubDate>
		<dc:creator>Christopher Kelen</dc:creator>
				<category><![CDATA[Edition 3 - Rebel]]></category>

		<guid isPermaLink="false">http://www.peril.com.au/?p=146</guid>
		<description><![CDATA[birds in nests keep their heads down
the deers’ ears are all burning
tactics are the talk of the land
but a battle takes up so little room

it’s easy to
walk away from the dust
and the clatter, the rot
take a leisurely bend in the river
footsore you’ll rest where the breeze catches up
look high and join with the mountain in laughter
here comes an old poet alone{mosimage}
the empty town in open arms
hardly a pot to cover the fire
only children to meet him
each on a hobby horse
mounted well
and greedy for the wars to come
they hunger for their ...]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Newsreel</title>
		<link>http://www.peril.com.au/edition3/newsreel</link>
		<comments>http://www.peril.com.au/edition3/newsreel#comments</comments>
		<pubDate>Sat, 16 Jun 2007 13:07:17 +0000</pubDate>
		<dc:creator>S.K. Kelen</dc:creator>
				<category><![CDATA[Edition 3 - Rebel]]></category>

		<guid isPermaLink="false">http://www.peril.com.au/?p=151</guid>
		<description><![CDATA[The deep truth is imageless.  P B Shelley
On the Road
My arms and legs are tightly bound.
But in the hills birds sing and flowers blossom.
Who can prevent my enjoying such sweet scent
and sound?
In my long trudge I might feel a little less lonesome.
—from Ho Chi Minh, Prison Diary.                                        1942

Cowboy voice on a newsreel drawled
hundreds of reds were killed under                                             1954
the barrage and still they come.
After meeting with Soviet Premier Nikita
Khrushchev, Kennedy ...]]></description>
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