Kelly Mollenido Robson creates complex fictional products, in which fairytales are moulded, vacuum-packed, and marketed for contemporary consumers. Robson was commissioned by Wheelock Art Gallery in Singapore to undertake a residency and stage a solo exhibition during the Singapore Biennale 2008. She used this opportunity to ‘internationally franchise’ and launch the Singapore branch of The Plant. Robson’s precision moral compasses, free range harvested fairy dust, and 24-hour multi-worry absorbers, form part of her ongoing series of products and therapeutic tools for the consumer.
Shigeyuki Kihara is a multimedia and performance artist of Samoan and Japanese descent. Her work is based on research of Indigenous cultures of the Pacific, and explores Samoan culture, history and spirituality. Often inhabiting both male and female roles in her work, Kihara interrogates Western systems of classification and explores notions of body and gender.
I lived in Iruma in Japan, just a forty-five minute express train ride through concrete and hills dotted with statues of former trees shaded with white snow from Tokyo, a place they still call the biggest city in the world. In my view, it is most certainly the biggest city in the world since the city began in my town, of course they don’t say it does but there is not a break in civilisation along the Seibu-Ikebukuro line. Aerials look like winter branches. Shiseido is a cliff face. Ebisu …
This piece takes up after the famous British sociologist, Paul Gilroy, who sought to redefine anti-racism by abandoning the analytical relevance of the term ‘race’ altogether. His arguments, which are too substantial and nuanced to rehearse here, are set out in ‘Race ends here’ (1998) and ‘Against Race’ (2000). The present reflection upon Gilroy, however, has been in part prompted by the US presidential campaign.
Fetishes aren’t all unhealthy. Some of them can be kind of fun. But I want to rely upon the kind of fetishism that implies an ‘unhealthy …