Daniel Lee has always been fascinated by the relationship between humans and animals.

Owen Leong’s solo exhibition Birthmark recently opened at Anna Pappas Gallery in Prahran, Melbourne. In Birthmark, twelve half-human, half-creature photographic portraits are displayed along the walls of the gallery. Their gazes resist an easy reading, their commonality their shared Asian-Australian identities and the Australian native moths that mark their faces. Whether the moths are masks or part of the skin is a concept that Leong plays with. Situated on a separate wall is a portrait of Tom Cho; unlike his moth-marked companions, he has a nasty cut across his cheekbone with pink liquid oozing upwards into his sideburn. Cho’s image is the cover of his book, Look Who’s Morphing.

Kelly Mollenido Robson creates complex fictional products, in which fairytales are moulded, vacuum-packed, and marketed for contemporary consumers. Robson was commissioned by Wheelock Art Gallery in Singapore to undertake a residency and stage a solo exhibition during the Singapore Biennale 2008. She used this opportunity to ‘internationally franchise’ and launch the Singapore branch of The Plant. Robson’s precision moral compasses, free range harvested fairy dust, and 24-hour multi-worry absorbers, form part of her ongoing series of products and therapeutic tools for the consumer.

Shigeyuki Kihara is a multimedia and performance artist of Samoan and Japanese descent. Her work is based on research of Indigenous cultures of the Pacific, and explores Samoan culture, history and spirituality. Often inhabiting both male and female roles in her work, Kihara interrogates Western systems of classification and explores notions of body and gender.